One
quick glance at the lay-out of the city and a fundamental fact immediately
catches one's eye: Pompeii, unlike
Herculaneum and ancient Naples, is not the fruit of an organic
design of city planners. In the regular town design two atypical nuclei
stand out: one, roughly quadrilateral, around the "civil forum" and
the other around the tiny "triangular forum" next to the theatres
district. To those nuclei is linked the rest of the city which by contrast
looks "new": all this enclosed within solid city walls.
This observation reveals the secret of the origins and development of
Pompeii: its port on the mouth of the
river Sarno is evidence of its Mediterranean
vocation - from the earliest history - with respect to its vast hinterland
which in time came to include Acerra, Nola, Nuceria,
as the ancient historian Strabo attests.
On a bed of prehistoric lava, Pompeii is founded in the second half
of the VIIthcentury B.C. with an organization effort that
presupposes objectives of lookout and defence connected to the nature of
the relations between the Greeks and the
natives.
The natives, peaceful when first colonized, later matured notions of armed
action when the Chalcidenses, who held
defensive posts along the sea-coast, threatened to cut off for ever the
peoples of Campania from access to the sea.
Despite the documented existence of a Doric temple dating from the second
half of the VIth century B.C. on the terrace of the triangular
forum, and other indications that were held valid until only a few years
ago, Pompeii was not a Greek city,
even though it had been influenced by Greek
culture ever since the most archaic epoch. In the light of the results
obtained from the stratigraphic researches carried out in these last
years, it appears that Pompeii, at the time of its foundation and
its first development, was much more conditioned, politically, by the
Etruscans than by the Greeks.
There is also evidence that it was connected to an "Etruscan territory"
centred on Capua (Santa Maria Capua Vetere), which comprised
large portions of inland Campania and,
through the Sarno valley, the Sorrento
peninsula. Disconcerting evidence of this has been found at Vico
Equense. Pompeii's commercial vocation upsets
completely the former architectural and decorative order, transforms the
habits of its inhabitants, generates self-made entrepreneurs and
exploiters.
A "vertical section" of the city in the last decades of its life
before the 79 A.D. eruption of Vesuvius, would offer a picture - in contrast with the calm of
former times - of roads, inns, taverns bustling with people, brothels in
full activity, stall keepers in the forum, the amphiteatre cram-full of
people, slaves of an irrational passion for sport, always ready for a
brawl, walls covered with election slogans in favour of this or that
candidate, graffiti with names, quips, love messages everywhere.
House building in the meanwhile was capriciously spreading beyond the
walls, it consolidated westwards in dismal phalansteries. Painting
lost its capacity of perspective. The former articulation which can be
seen in the vast cycles of paintings of the "Villa of the
Mysteries" (Villa dei Misteri), is often
reduced to nothing but commonplace and poor quality decoration.
In the last few years every possible effort has been concentrated on
restoration but excavations have also been going on the city walls,
bringing to light the walls from "Porta di Sarno" to "Porta di Nola" and beyond towards "PortaVesuvius".
Stratigraphic research work has also been given a substantial boost.
The four-storey building that incorporates the walls, north of "Porta
Marina", has been excavated while the
diggings at the "House of Julius Polybius" (Casa di Giulio Polibio) have brought to light new and
sensational discoveries.
The zones that still have to be excavated in the north-eastern area may
hold some more unexpected surprises in store but at this point we can say
that the "picture" of life in Pompeii, thanks also to stratigraphic research, has already been
quite clearly defined.
The eruption
The eruption of the Vesuvius,
which raged from the afternoon of August 24th through to the
26th, were recorded, albeit a few years later, by Gaius Plinius
Secundus, who in 79 AD was seventeen years old and staying with his
uncle, an admiral in the imperial fleet and a keen naturalist. He was
persuaded to narrate the events by Tacitus in two letters when the latter
was acquiring material for the second part of his "Historiae".
Those last days of August had been preceded by earth tremors, a common
enough phenomenon in Campania that aroused no particular apprehension. But
early in the afternoon of the 24th an enormous cloud in the shape
of a pine tree appeared and it changed colour continuously.
The admiral was studying the cloud, not knowing its cause, when a call for
help arrived from Rectina, the wife of Tascio, who lived at the foot of
Vesuvius. She found herself hemmed in by the eruption, with only the
sea offering a possible route to safety. The admiral ordered the entire
fleet to put to sea, intending to take off as many as possible of the
numerous inhabitants along that part of the coast.
During the crossing the ships were covered in the ash pouring out of the
volcano, which as they drew nearer the coast became hotter and denser,
containing flaming pumicite and lapilli. The force of the eruption was
such that the ships could not land and had to sail on the port of
Stabiae, four miles to the south of Pompeii.
The admiral went ashore and had dinner as guest of Pomponiano, continuing
to scrutinising the spectacle that, with nightfall, had become truly
awesome.
There was no let up in the shower of ash, which built up in drifts in the
central courtyard of the house, forcing the diners to leave the dining
room before they were trapped inside. What is more, the tremors went on
unabated, shaking the buildings to their foundations, and everybody chose
to stay out in the open, covering their heads with cushions to protect
themselves from the storm of scorching particles, rather than risk being
buried under falling masonry.
At dawn on August 25th the light of the sun was unable to penetrate
the thick veil of soot hanging over the never-ending eruption, while the
condition of wind and sea continued to make escape impossible. The admiral
was overcome by the choking ashes mixed with sulphurous exhalations and he
died along with many other inhabitants of Pompeii. The contorted
corpses of some of them have been restored to us in plaster casts,
bringing home the excruciating suffering of a death by suffocation from
fumes.
During the years the city passed into total oblivion, such that even its
name was forgotten. Even in the first years of excavations, which began in
1748, no one was quite sure whether the site was Stabiae or
Pompeii, until, as Winckelmann recorded, an inscription came to
light which proclaimed unequivocally the name of the Pompeiian colony.
Since then more than two centuries have gone by, and millions of visitors
have come to experience one of the most significant legacies of the
ancient world, carrying away with them sensations and reflections which
may indeed be of use in charting their future lives.
Every
photos can be enlarged with a click
The visit
Porta Marina. The name is modern and indicates that the roads passing
through this gate led down to the sea. The gate originally had two arches
(one for pedestrian only) made into one barrel vault in opus cementitium
(a compound of mortar and stones)
The Antiquarium is a museum which assembles the evidences of the
life and the civilisation of Pompeii including the famous casts of the corpses of
some inhabitants and animals died during the eruption. We can found other
important founds to the ArchaelogicalNationalMuseum in Naples.
a dogcast a women cast
The Forum , centre of the city, a large rectangular square rich of
columns and bases of innumerable statues 1 -
TheBasilica court site
2 -
Temple of Apollo 3
- Temple of
Vespasian and Jupiter
4 -
Macellum o covered market 5
- Forum
Baths 6 - Temple of
Fortuna Augusta.
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Along the elegant
Via di Mercurio we can found,
with the other constructions, The House of the
Big Fountain and
The House of the Small Fountain, so called by a kind of fountain typically
oriental, in fact they came from Egypt
House of the Faun
is considerate the most beautiful example of a private house of the
ancient world because its greatness, the elegance of its architecture
and the splendid mosaics.
House of the Vettii is, instead, the most famous, perhaps by the famous little
statue of the god Priapo, it is the most admired; it was of two rich
merchants and it is full of very well preserved paintings , statues,
decorations and wonderful rooms.
There are many other beautiful houses
, and we can visit, moreover, in Pompei many Shops, Bakeries and ArtisanLaboratories, and the most famous is the Fullery of Stephanus , that show us the evidence of a rich life that
in a moment it is stopped as suspended in the time.
Other important constructions are: 1
The Large Palestra 2 The Amphitheatre, the most ancient of the Roman world 3 The Little Theatre 4 The Thermal Baths
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Not far from the excavations we can visit
Villa of the Mysteries, a large construction (55rooms),
famous because its beautiful paintings inspired by the Dionysiac
mysteries that had happened here.
1) Via dell' Abbondanza 2) Venus in the shell 3) House of Venus